As we continue through school movies I want to talk about my favorite insane subgenre, the modern literary adaptation for teens.
To close out this week, we are going to talk about one of the most recent opuses from one of my favorite working filmmakers.
We will be transitioning from one visually stunning auteurist work, where an all-knowing robot makes an outsider feel loved, to another. But this one features Oscar Isaac performing a choreographed dance to Oliver Cheatham's "Get Down Saturday Night."
We always like to toggle between newer releases and older releases, so to start the week off we thought we’d start with about as contemporary of a film as one can get.
Do any of you remember a few months back when I wanted to write about Kingdom of the Crystal Skull and my boss allowed me to only if I publicly endorsed my decision? Well here we are again.
To close out Wrestlers Week, we wanted to switch it up on you. We've been discussing wrestlers turned actors, but what about the other way around? What about an actor who puts their body on the line to become a professional wrestler?
Fair Play just hit Netflix. That gives us an amazing opportunity to touch on a genre that’s all but dead. The Erotic Thriller. Get ready. It’s about to get hot in here.
Over the last couple of days, we've been exploring horror films from the past decade.
Yes, I am coming in hot, but I really do believe this is a pitch-perfect film in every sense of the word.
To close out January, let's take a moment to appreciate the lifeblood of new year winter releases: anime exports.
A24 has taken the world of cinema by storm in the past decade and Red Rocket is yet another testament to their unparalleled approach to filmmaking.
Here we are in the fifth act talking about by far our favorite adaptation of Romeo and Juliet.
